Tuesday, December 31, 2019

Mark Twain at the Dabneys in Horta, Faial

I've been doing some research on Twain's visit to the Azores. He stopped in Horta on his way to Palestine-a series of correspondences that would become his book,  Innocents Abroad.

Most of what he wrote about the Azores in that book was not kind, he was trying to create jokes-and also created a cynical sense of the superiority of the American traveler. He made himself the joke of an ugly American-especially viewed from the perspective of today.

In the Book about the Dabneys, there is evidence that he was in their house. Below is a quote from one of the female residents.

“At 10 the parlor was quite full….One young man had his note-book out all the time and remarked as I gave him some verbena,’I am taking notes as I am a correspondent of a paper’. 

‘Horrors;, writes CPD, “how we may appear in print,’

Saturday, November 30, 2019

Never too early to plan the next trip to Provincetown!

Having spent Thanksgiving in Provincetown, with all its associated Portuguese heritage, I noticed that there is an Annual Blessing of the Fleet and weekend-long Festival at the end of June (6/25-28/2020) More information can be found here:
https://provincetownportuguesefestival.com/

It's never to early to plan your time in this seaside town, especially bc it fills up so quickly in the summertime. See you then!!


Thursday, October 31, 2019

Toronto's 40th Festival of Authors: Anthony De Sa

Last night, I attended a marvelous reading and discussion with the author Anthony De Sa and Wilfried N'Sonde. Both authors were amazing, and revealed the excellent approaches they took about research and their backgrounds and how they contributed to their work. Both were WRITERS first, their backgrounds were just pieces which informed their writings-not characteristics by which they needed to be pigeonholed.

I admit, that I came because De Sa had grown up in the Portuguese neighborhood of Toronto, and I had read Barnacle Love while in the Azores. There aren't enough children of Portuguese immigrants writing fiction today and I loved what I had encountered-feeling as if I was not alone in the experience.

De Sa's new book is about Mozambique, Children of the Moon.  In an aside, he revealed that even though his uncles had fought in the wars (including Angola and Guinea), he had never gotten a fuller story out of them.  When I probed further, he mentioned how difficult it was for them-the strong macho characteristic against the idea of losing a war-and what they had to go through-and make other people endure. De Sa mentioned that everything in the media in the 1960's was about America and Vietnam. And sometimes stories came out of that war-or WWII, which made the soldiers feel like they were fighting for a noble cause.  But colonialism is harder to reconcile and understand. 

I've yet to get the fuller stories from my own uncles. I want to know. War is never easy for anyone, but I hope they have been able to process their memories and make some meaning out of them. I'd love to hear it.

Monday, September 30, 2019

Fuxicos: Visiting a Brazilian Artist's Studio in LaGuardia

I was walking to my flight at the Jetblue Terminal and saw a tiny art studio in the lobby area.

Stopping, I chatted a bit with the woman who was running the space, Anna, but was rushing to my flight and I couldn't linger.  What a funny place for a popup art location, I thought.

And then I came through again, and my plane was delayed. Finally I had the proper time.

This time I stayed for a good while, and spoke to Davi Leventhal, an enchanting man who told me about being raised Brazilian in NYC, something I related to, being raised Azorean in Boston. Anna was there as well.

His art was based on fuxicos-simple circles of fabric, which when combined, make a giant tapestry of color and energy.  Visitors are invited to make one and leave one. I made 3, but one fell apart.  He gifted me one-which I will attach to a blanket my Vovo made me.

His assembly method reminded me of my Mousetrap Project, creating small pieces of beauty which are seen as a strong presence when mounted together. And because there was the interactive element, of getting to sit and sew (especially in what is normally a stressful environment), the was a performance piece that I was happy to have experienced.

==

For more info:

https://www.davileventhal.com/about.html

https://www.aviationpros.com/airports/buildings-maintenance/press-release/21076449/the-port-authority-of-new-york-new-jersey-local-artist-residency-program-returns-to-laguardia-airports-marine-air-terminal-for-second-year

https://www.queenscouncilarts.org/2019-artport-artists

Saturday, August 31, 2019

Cousins Visiting America

So I have a cousin and his family-wife and 2 daughters, visiting America.

They were flying into Boston-because that's where the flights go. But they wanted to go to Disney World.  I told them to fly, They rented a car and 3 days down, 3 days there- 3 days back, they have seen more of America than I have!

Boston, NYC, Cape Cod, all the good stores, all the cheap souvenirs.

I'm amazed.  They are world travelers, but still, this was the first time in the US.

When we asked about the most amazing things, they loved the authentic food in NYC's Chinatown. And being off an island.  The idea of driving for 3 days-and not falling off the island-that is something.

Wednesday, July 31, 2019

Thoreau/Twain in Concord

And now for some of my other achievements. i wrote a play....


I'm happy to report that the performance of Thoreau/Twain: Brothers in the River for the Thoreau Society was a tremendous success.



Brent Rinalli, Tammy Rose and Joel Hersh

The main performers were Brent Rinalli, who has been in and around Concord giving lectures and historical interpreting as Thoreau for the past few years and Joel Hersh, a local actor known for his varied musical ability-played Twain.



The main conceit of the show is that an Academic is trying to summon the spirits of the authors, to have them discuss a major, and underexplored parallel of their lives.  Both of them had a deep relationship with a brother on the river of their childhood, and both of them lost that brother to a sudden event. This happened before either of them began to write-but both found inspiration in their brothers and documented the influences strongly in their writings.



The authors -who had never met in real life- get deep into conversation, about their lives, commonalities they share-and especially their brothers. Most of the text of the play is taken directly from journals, letters and the formal published writings of the authors-and their contemporaries. They argue with each other using their own words and get a chance to recount a major emotional moment in their lives. (No pop-psychology or therapy here-the drama comes directly from their own words and existing texts).


Thanks to the Thoreau Society and to all the amazing and attentive attendees!  Especially those who took pictures and gave me feedback on new areas to explore between the two!



And extra special thanks to my fellow Tourguides who make all the research and the entire experience of Concord SO MUCH FUN!!!






Sunday, June 30, 2019

Imperio Mariense De Saugus

Check out the upcoming event at Imperio Mariense De Saugus, coming up for the first weekend in July.

The Sopas Festival is a tradition that dates beyond what anyone can remember. It is a giant celebration that happens throughout the Azores-the islands trade off weekends, maybe to give everyone an excuse to visit different islands.

The soups (sopas) are made of just a few ingredients, meat, cinnamon, mint and probably a host of whatever magical and regional tastes (or whomever is in charge of the kitchen). And BREAD.

Everything gets served in long tables, community style indeed. There is table wine, and ginger ale-which people sometimes mix.

Sometimes due to multiple seatings, it is required to stand outside in the heat-to wait for hot soup.

Maybe these celebrations were designed for travel in fair weather, and the food was designed for the cheapest, easiest way to be most generous to everyone. But hot soup in hot weather is an annual rite of passage. We all suffer, and laugh, together.

http://imperiomariensedesaugus.org/

Sunday, April 21, 2019

Saab Center UMass Lowell Poor Planning Ruins Mariza Concert

First and foremost, Mariza always gives a solid performance. She was backed by 5 instrumentalists and she began and ended the main show with traditional Fado songs sung acoustically.  The rest of the show was from her varied career-complete with amplification and Mozambique-influenced styles. Don't  expect a traditional Fadista like Amalia Rodrigues, because she has taken Fado into a modern and innovative style. My cousin and I have seen her perform in Newark, NJ and she was magnificent as always.

It seems the event was designed as a fundraiser-which allowed table seating on the ground floor.  All the Orchestra Level seats were unavailable.  To create a more "intimate" setup, the organizers draped cloth around the seats on the main floor- not even an accessible area.  This left the remainder of the seats in the balcony. Note: there was NO indication on the website that this was the layout. I was taking 2 elderly women with me and would have paid a premium price for Accessible Seating-or at least something on the ground floor.

Lowell and the Portuguese communities have always faced issues of Rich vs Poor, the layout brought the differences into stark reality. This event was designed to celebrate both cultures, but instead served as a reminder that nothing has changed, and in fact, today's world is all about reinforcing the differences between the haves and have nots.

The whole show from the balcony was about looking down at the tables who were closest to the performer. Those with opera glasses or binoculars were lucky enough to be able to see her. The rest of us had trouble seeing anything other than a woman in a light blue dress from that distance.

My main disappointment is with the organizers of the event who set expectations and didn't encourage a good experience for any non-sponsors. I will NOT be supporting any future events that U Mass Lowell organizes because of this. I do not begrudge any fundraising efforts which seek to provide an elegant experience for those who sponsor an event. But they went out of their way to disadvantage and alienate the rest of the audience.

4 main issues that showed a clear lack of professionalism in a public event:

  • Starting the show 30 minutes late, and then leaving the audience literally in the dark for an additional 5 without ANY explanation or apology
  • Parking:difficult, far , unmarked and an additional $10 vs the Sponsor parking across the street which had several volunteers (they told me to take 4 rights to get to the garage across the river, and then there was a 10 minute walk)
  • All non-sponsor seats (ranging from $39-$79) were in the BALCONY, no Accessible seating was indicated and the elevator required a LONG walk across the far side of the backstage area. No link for sponsor tickets, no indication that orchestra seating was not available
  • Nobody had considered the experience of the rest of the audience, it seemed like the public was allowed in as an afterthought

When the lights were lowered (at 8pm instead of 7:30 as announced), the audience was left in the dark for a full 5 minutes.  Someone shouted "Anybody here named Maria?" which got a loud laugh and solid applause from an audience awaiting in eager anticipation. No greeting from the organizers-no apologies, no messaging to the audience about what was planned for and what was an accident.

No reflection on Mariza, it ALL reflected poorly on Lowell Memorial and the Saab Center at UMass Lowell.




Sunday, March 31, 2019

It's Not Easy Trying to understand American

I met someone at a Satire Festival and we began to exchange experiences about our families coming to America from other places, trying to understand the culture.  Although Lady Liberty is a pretty nice symbol, she's not holding a bilingual dictionary-and the bigger secret is that even native speakers will have difficulties understanding everything.

My mother was catcalled at work by her manager; he called her a swinger.  Even though this was the 70's, she was still VERY offended and came home and told her husband/my father.  But she was still so mad, she couldn't come up with the word.

"He called me a---a --- a JUMPER!" she finally said.  Instead of empathizing with her, my father (a native speaker) laughed.

She laughs about it now, too.  In fact, it's one of her favorite stories to tell.  Now that she's not the butt of the joke anymore (sorry, mom).

There are LOTS of stories like this. (I wonder if technology will end the accidents, or just create more?)

Thursday, February 28, 2019

Mariza-The Fado Singer-in Lowell

There will be a great gathering of people from the Portuguese diaspora! Mariza will be coming to perform in Lowell in April. (info below)

https://lowellauditorium.com/calendar/2019/4/20/mariza

She's sold over a million records, born in Mozambique.  There is a distinctive sound of Fado, starting with Amalia Rodrigues-who is like the Portuguese Edith Piaf, or vice versa.

Here's the traditional version:
https://www.youtube.com/watch?v=ARS7Zi-Zpkw


Here's one of my favorite of Mariza's songs: Locura
https://youtu.be/BiU0fkwrviM

There is a particular sound of saudade that echoes in both.  And it's a language that goes deeper than translation.  No matter what the songs are actually about, it breaks my heart.

Monday, January 28, 2019

Caucasian or White? Article on the Portuguese in Hawaii

Where do/did Portuguese immigrants to America fall in the scale of race?   America has been so recently terrorized by Drumph's border wall and discrimination and hate crimes are rising. This country is again resorting to nationalistic screeds of who "belongs", with no actual definition and no rhyme or reason. Does the Statue of Liberty mean anything anymore?

I've come across this discussion in my own life, but seldom does it seem to be addressed on a larger scale. "Portuguese" does not fit into the same category as "Hispanic"-even though the very word comes from Hispanola-the name for the Iberian Peninsula in Roman times.

A very interesting article can be found here, about historical treatment of the Portuguese in a society of clearly identifiable races, and how the races are stacked against each other:  http://www.researchjournal.yourislandroutes.com/2016/07/caucasian-but-not-white-race-and-the-portuguese-in-hawaii/

It covers the variety of definitions used officially, and the most defining factor: skin color.  An "Olive Complexion" can be a flattering descriptor, OR it can be a way to define a version of race-without calling it out directly.

An interesting quote: "The Portuguese fell somewhere in between.  Their wages were set lower than White Caucasians but higher than Asians and Latinos.  They could not hold upper management positions, but they could work in supervisory positions."

Portuguese workers fell/fall(?) into an in-between category, which does not allow them to fully "pass" nor does it release them from discrimination. For those who imagine that American issues are divided into black and white, be advised that historically, and even now, there is a scale that is always being adjusted. 

Language, accent, economic status, culture-and background are ways to assess how "American" someone is. Even Tom Brokaw has said that "Hispanics should work harder at assimilation," but he has since apologized for his comments.  https://www.nytimes.com/2019/01/28/business/media/tom-brokaw-hispanics-assimilation.html

At what point IS someone/a group considered assimilated? When THEY can begin to discriminate?